Alright, Everyone. I’m doing this a little differently this year. Obviously I’m late due to unfortunate circumstances with a post-morten on the nominations, and obviously this time, I’m unusually early with my Predictions. In fact, I’m so early, I made it a point to put this up before the Creative Arts Emmys, because I feel a lot of those awards are often ones that we care about and are just as interesting as the ones that make it to the main show. I’m combining everything I can here, and if I have a Prediction/Preference along with any major or minor thoughts I have on the categories, I’m gonna give them.
Where the fuck did “Schitt’s Creek” come from? Seriously, like, I’ve heard rumors that apparently people in the know suspected that it might sneak in, but this is still really befuddling shocking to me. For one thing, it took out “GLOW” , which I was certain was getting in, staying in and was probably gonna do better this year, but boy did that prediction go out the window. It also probably took out past nominees “The Big Bang Theory” and “Unbreakable Kimmy Schmidt” for their finale seasons, which is kind of a shame, ‘cause I thought both of those seasons had really spectacular finales. And honestly, I guess now I have to watch more of it, and I’m still getting around to that, but, I guess it’s okay. I like the actors fine, but I still mostly thought it was a simplistic premise; basically just a cute but easily disregardable TBS comedy that feels like rejected “National Lampoon” movie plot, along with jokes that would’ve been funny back when those movies were funny. And I’m not sure I’m entirely wrong, ‘cause even TBS disregarded the series which later got picked up by, PopTV? Did TNA Wrestling get nominated too? Yeah, this show didn’t get nominated because of PopTV’s great promotion; I bet most voters caught it on Netflix or something. The same thing probably happened to “The Good Place” a show that also sneaks in for the first time and that’s a show I always feel like I should hate more than I do. It’s kind of the same problem I have with “Russian Doll”, where basically it’s just a sitcom based around a storytelling gimmick that kinda has a very limited ceiling, but-, I don’t know, in both those show’s cases, they kinda won me over and wore me down. I still suspect “Russian Doll” is maybe a one-season wonder, but “The Good Place” has proven to be far more inventive than it really should be, and I hear that it does have a set end date pre-planned, so I guess if you are gonna do a show like that, they’re doing it right. I suspected that one would get in, but I’m not entirely sure why “Fleabag” came in now. Like, I would’ve expected that in here like, two years ago for its first season, but now? And I wasn’t sure I liked it then, but it still fascinated me enough to where I couldn’t deny its quality. They always catch the Amazon shows, after I’m over them. Watch, next year, they’ll all finally discover “One Mississippi”, and nominate it for everything before they realize it ended three years ago.
Anyway, this is a 3-way race, between “Veep”, the winner two years ago, last year’s runaway winner when “Veep” was absent, “The Marvelous Mrs. Maisel”, and the somewhat surprising over-achiever, “Barry”. I’m always been a skeptic on “Veep”, but it’s its last season, but that’s probably a bad thing. Only ‘Barney Miller” and “Everybody Loves Raymond” won the Comedy Series Emmy in their finale seasons, and “Veep” really underperformed as much as “Barry” overperformed. Tough call here.
I like both these shows a lot, they’d be my one-two as well, and I think only “Veep” has a shot at playing spoiler here. Possibly, “Fleabag,” although I always thought that was too strange to win a series. Honestly, they didn’t do terribly this year in the category, bizarre “Schitt’s Creek” anomaly aside.
Okay, it’s confirmed, Don Cheadle’s name just gets checked off no matter what Showtime series he’s in. (Although I actually did like “House of Lies” a lot. Also, confirmed Kristin Bell doesn’t get nominated no matter how good the show she’s in. [And thankfully, neither for the bad shows she’s in….]) “The Kominsky Method” took the “Grace & Frankie” place this year where the shows get almost nothing outside of major acting nominations, which I think was a shame ‘cause I liked “The Kominsky Method” a lot; I thought that could’ve gotten into Series, even though this is a crowded year. Despite everything, I am happy to see Eugene Levy get nominated for once; he’s been around forever and deserves some praise even if I’m not big on the series, and the same goes double for Catharine O’Hara. I wish they’d bring “SCTV” back. Everything else is paint, although “black-ish”, seemed to fall out of favor the second I started kind of accepting it. Donald Glover wasn’t eligible I should also note here, “Atlanta” didn’t have a season this time around. Ted Danson btw, increases his record for most nominations in the category with 13; amazingly he never got nominated for “Becker”, which was a really big oversight in my opinion, so he really should have at least one or two more, which in hindsight is really ridiculous. Huh, No Bill Macy? Was “Shameless” eligible this year?
I don’t think I really have a preference here; I’m kinda taking Bill Hader by default, ‘cause I think he’s the most interesting and toughest to play character on the list. Plus, he did win last year and “Barry”’s a bigger show this year/
I thought that since Phoebe Waller-Bridge didn’t show up last season that she didn’t have much shot of showing up now, but I guess not. Actually, I think she could play spoiler here. Julia Louis-Dreyfus is a win away from every record imaginable, and now she’s got the story behind her too. Although Natasha Lyonne’s comeback is worth noting as well, and I’m happy to see Christina Applegate back as well. My Mom’s been raving about “Dead to Me” and I do think I’ll try to watch it soon. It’s been a long time since somebody won in this category being the show’s only nomination; I think you gotta go back to either Melissa McCarthy or Toni Collette, and I just don’t see that happening here.
I think this is a close race between Brosnahan, Louis-Dreyfus and Phoebe Waller-Bridge maybe playing spoiler. It’s all gonna depend on whether or not they’re tired of giving Julia winning Emmys, and I’m gonna go out on a limb and say yes, this, this is the year. I think if they really liked “Veep” this year they would’ve gotten it more nominations.
Wow! They loved “Barry” this year, Winkler winning last year was a long overdue career award as much as anything else, but getting Carrigan and Stephen Root in really makes it seem like “Barry” is a favorite. Hale’s won the category twice, so never count him out, and never count Tony Shalhoub out, ever. I think he did upset at SAG so that could happen again here.
PREDICTION: Tony Shalhoub-“The Marvelous Mrs. Maisel”
I might change my prediction a couple times here, this is a tough category. I’m definitely cheering for Stephen Root though; he’s been one of the best solid TV actors for years and it’s nice to finally see him get nominated for something. He’s also been long overdue.
Well, I think we’re officially in the middle of the Olivia Colman moment that I’d been hearing about from my British entertainment fans for a few years now. Boy, “SNL” didn’t do great this year in the Supporting categories, only 2-time winner Kate McKinnon coming back. Marin Hinkle getting in is a nice surprise and Sarah Goldberg being recognized and both big clues that this is a “Barry” vs. “Maisel” year. I still am thinking that the old guard is probable to repeat here; that usually happens in an eight-way race, usually the expected favorite and I would say that’s last year’s winner Alex Borstein. Chlumsky could surprise here, and I wouldn’t rule out Betty Gilpin completely. I hate that she’s the only one on “GLOW” that gets recognized, ‘cause there’s a lot of good performances on it, but she does have a few really great episodes that if they saw them….
Tough category this year. For those unfamiliar of why “The Big Bang Theory” is here, other than deservedness, there’s a new Academy rule with this category where there has to be at least one nomination given to a multicamera TV series. I think it’s a good rule actually, ‘cause it is a distinct and different skillset than simply directing with a single camera like a movie. That said, I can see a few scenarios here. I could see the “Barry” and “Maisel” votes get split and “Fleabag” stealing it; but I think something’s gonna break out.
PREDICTION: “Barry”-“The Audition”-Alec Berg
I don’t think they want to give the Directing Award to an actor again and despite the two really good “Mrs. Maisel” entries here, I think that means “Barry” will pull away. But yeah, if I had vote, I’d go for “The Big Bang Theory” here for their finale episode. Cendrowski is the one who pushed for that new rule and I think they should get something here.
Leave it to the Writing Branch to completely confuse you. What the hell is “PEN15”? I mean, other than, something that looks like the word PENIS when typed out? Somehow “Mrs. Maisel”, missed this category completely, which is why I think “Barry” is ultimately the favorite for Series. The two “Russian Doll” nominations are striking though. With those and “The Good Place” nomination, the writing seems to like more experimental stuff this year. It would be funny if Amy Poehler finally wins for Writing and she’s sharing it with another actress though. That said, I think it’s between, “Barry”, the finale of “Veep” and I suspect, “Fleabag”, might be in play here. Especially if they want to give Phoebe Waller-Bridge something, this might be the best place.
PREDICTION: “Fleabag”-“Episode 1”-Phoebe Waller-Bridge
Boy, I really am shocked “Mrs. Maisel” missed that category; I could think of like five episodes I would’ve thought it would’ve won outright for Writing this year. Perhaps they over-submitted; that’s the only theory I can think of right now; “This is Us” suffered that problem before. To be continued.
So, this is where “SNL” got all the nominations this year. Four “SNL” and only three of those BTW are hosts, De Niro got in for playing Robert Mueller in much the same way that Tina Fey won for Sarah Palin and how Baldwin won for Trump. Baldwin’s lack of a nomination is a bit of a surprise in Supporting Actor, only because he’d been regularly nominated. Despite this, you can call this an underperforming year for them. They’re up against two from “Mrs. Maisel” and Peter MacNicol who nominated in this category a few years ago but had it rescinded after he appeared in too many episodes; that was the year, his replacement Peter Scolari, won for”Girls”. He does have an Emmy already; he won years ago for “Ally McBeal”, but they might want to correct that. Tough call here.
A bit of a tough category to predict; I would like Luke Kirby for his portrayal of Lenny Bruce to get in, and he does have a great episode, but if I have to predict an “SNL”, and Mulaney was a surprise winner last year for a stand-up special he did, which was well-deserved btw, and the Academy seems to like him.
OUTSTANDING GUEST ACTRESS IN A COMEDY SERIES
Two from “SNL” and two from “Fleabag” curiously. And two returning nominees, both Maya Rudolph and Jane Lynch reprised some roles for these nominations. I don’t think Jane Lynch won last year, this is oddly the only time they could honor her since she surprisingly didn’t get a Reality Host nomination this year, more on that crazy category this year, later. I believe Sandra Oh, is the favorite in Drama Series Actress, so I don’t think they need to give it to her here, but they do owe her, so they might overcompensate too.
I’ve just going off a gut-instinct here. I was thinking of predicting Fiona Shaw, but bet against “SNL” in Guest categories at your own risk. I guess I would normally want Jane Lynch to win, but I think she had a better episode last season. I don’t remember if Emma Thompson’s ever won, and I wouldn’t be surprised if she pulled the upset here, but I guess I’ve cheering for Maya Rudolph here, who is funny as hell on “The Good Place”.
Jesus Christ, they fit in eight this year! What the hell even is “Bodyguard”?! Okay, it got this, and it took the “Ray Donovan” Writing nomination away, and that was literally it? No, seriously, just two nominations, total!!! Well, nothing else is a huge shock; I had “Killing Eve” getting in, I expected “Ozark” to improve I wasn’t sure about “Pose” or “Succession” but I knew something weird would sneak since “The Handmaid’s Tale” wasn’t eligible this year; except it kinda was in other categories, and we’ll get to that insanity later. Despite mixed-at-best reaction even by fans though, “Game of Thrones’ is the huge frontrunner, a record 32 total nominations. I think it’s possible it can lose here, but something’s gotta come up and take over as the alternative. I think the most likely scenario is “Killing Eve” pulling it off, it’s the only other series with both a Writing and Directing nomination this year, with the exception of “The Handmaid’s Tale” and again, we’ll get to that insanity later. Maybe “Better Call Saul” and “This is Us” could be sneaking in here, but I doubt it.
PREDICTION: “Game of Thrones”
I’ve always been lukewarm on ‘Game of Thrones” and certainly have never thought it deserved a Series win, but I do think it’s an important show that will inevitably go down as influential, for mostly good reasons, although I fear what negative influence it’ll have. I have to catch up on a few of these other shows, so I’m gonna stick with “This is Us” for my preference, which did have a very good season, although that said, I caught up to three seasons of “Better Call Saul” recently; I will say this, if more prequel series were that good, I might actually encourage the idea in the future. Not quite there yet, but just saying, that might sneak up, maybe a year or two from now?
OUTSTANDING LEAD ACTOR IN A DRAMA SERIES
Okay, so Kit Harrington’s in Lead now. (Shrugs) Okay. I don’t think it’s gonna help him, especially this year. In fact, despite holding every Emmy record you can think of, outside of Peter Dinklage, “Game of Thrones” actually have a terrible record with acting Emmys. And frankly, there’s other options, and I am really tempted here, ‘cause I know for a fact that, Milo Ventimiglia has a couple really great episodes to chose from. I usually worry that he’s submitting in the wrong category half the time, but he might steal this. I would’ve thought Bateman might’ve had a chance this year, but Laura Linney missed, and that’s a bit alarming to me, although Julie Garner did get in for Supporting, and they could honor him for Directing if they wanted to, although I think he has a better shot here. Plus, there’s a % of #MeToo people who aren’t crazy about him at the moment, but I don’t know; I might be underestimating him, but the competition’s tough this year. Billy Porter is the real wild card here. I don’t know much about “Pose” yet, but I wish the series got some other actor in. From what I can tell, this isn’t exactly a Tatiana Maslany situation so…- (Sidenote: If that show wasn’t just one actress playing all those roles, would anybody actually “Orphan Black”? Just a thought.) I think this might finally be Bob Odenkirk’s year. Well-deserved too if it is.
PREDICTION: Bob Odenkirk-“Better Call Saul”
Normally I would be preferring Odenkirk, but-eh, boy-um, if you saw “This Is Us” this year, then-eh, it’s gonna be hard to vote against Milo.
About time Mandy Moore got in; I’m not sure what the holdup on that was. (Might be that “The Crown” wasn’t eligible this year,- when’s that coming back BTW? I gotta look into that.) Also, with all due respect to Viola Davis, who truly is one of the great actresses of our time, why the hell is “How To Get Away With Murder” still on the air? She is great, but I’m kinda baffled how that show is still around. Even for an over-the-top soap opera kinda thing, like, I have a hard time sitting through an episode of that. Like I know “Empire” is soapy over-the-top trash, but I can put it up with that ridiculousness, but “How To Get Away With Murder” just seemed ridiculous from premise. Oh well. Um, I can see Emilia Clarke finally pulling it off here, but the fact that “Killing Eve” got two in here is really indicating that they are the second choice this year. Getting Sandra Oh in last year was considered a major win last year, getting a second female lead-, in fact, when’s the last time that’s happened in this category? I’ll look it up, but-um, “Cagney & Lacey”, maybe; that just doesn’t happen often, and it doesn’t happen out of nowhere, and with this recent voting system, while there are occasional exceptions, the more nominations a show has in the category, particularly acting categories, the more likely I think they’ll win. Oh, and I guess we’re still feeling empathy for Robin Wright’s situation. That’d be a good story, but look, I bailed on “House of Cards” before most people did, correctly so I might add, but despite a couple spare nominations, I can’t see it winning much here.
PREDICTION/PREFERNCE: Sandra Oh-“Killing Eve”
I think Sandra Oh will make history becoming the first Asian actress to win in this category, and it’s long deserved. I was the one who complained when she wasn’t getting enough attention for “Arli$$” so yeah, I think she might the lock of the night and I’d genuinely be shocked if anybody else won this year.
OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES
Alfie Allen-“Game of Thrones”-HBO
The two Lannisters are paired with a Greyjoy from “Game of Thrones”, “Better Call Saul” got a second nomination also, this time for Giancarlo Esposito, who you could argue is owed an Emmy, since he lost the one time he was nominated from “Breaking Bad”. Granted he lost to his castmate Aaron Paul, but still, oh but, Jonathan Banks is also owed an Emmy after being a presumed favorite a few times now. Both of those are long-time veteran great actors, and if Esposito wins, he’d be the first Mexican-American to win. Little surprised Michael Kelly snuck back into the category, and really delighted to see Chris Sullivan get in. I totally forgot about him when considering this category, even among the “This Is Us” cast, but he has a great episode. His nomination was a rare delightful surprise from the Academy this year, as oppose to the mostly annoying surprises that encompass everyone else’s nominations.
PREDICTION: Peter Dinklage-“Game of Thrones”
Um, I’m just not betting against Dinklage until somebody in this list beats him.
Jesus Christ, four actors from “Game of Thrones”! We really gotta adjust the voting system for the Emmys. Anyway, if I have to distinguish between these, um, I suspect either Lena Headey or Maisie Williams are the favorites of the “G.O.T.” bunch; Headey’s the longtime veteran who might get the sympathy vote, but they do like Maisie Williams; they’ve nominated here long before most noticed and apparently this year people really noticed her. Whatever that entails.
I think this is hard to split, so I’m taking the apple in the bag of oranges here. The fact that Fiona Shaw got in here and for “Fleabag”, means that they want to find an excuse to award her and a 4-way splits between a show could do it; anybody who didn’t love “Game of Thrones” will be looking somewhere else.
Okay, “The Handmaid’s Tale”, let’s talk about this. So, Hulu, does this thing where they put a new episode on their streaming service once a week, similar to what you would expect from a normal network. Crackle I believe also does this, but this is in contrast to Amazon and Netflix’s streaming practices of airing the season of shows at once. Last year, “The Handmaid’s Tale” entered late, and got just enough episodes in to be eligible for Series, but a couple of their episodes ran after the due date. Those episodes were ineligible for awards, although they counted for the series. Now, “The Handmaid’s Tale”’s new season did not make the deadline this year, they’ll be eligible next year, however the few episodes from last year that were ineligible are now eligible. They don’t have enough episode to be eligible for Series or most of the acting categories, but they’re eligible for anything else, and therefore they snuck into both Writing, Directing and two Guest Acting spots. In fact, despite a few episodes of eligibility, they got 11 total nominations, so don’t misconstrued these as anomaly nominations, they’re a player here and look out next year, ‘cause they’re probably the favorite for Series next time. (BTW, there is some previous precedent for this; “Six Feet Under” ran into this issue a few times over their run, which is probably why it often underperformed more than it really should’ve at the Emmys.) All that said, I think we’re looking at a “Game of Thrones” episode winning here, now to figure out which one. I think if there is a possibility of something else, it might be “Succession, Adam McKay is the biggest directing name here and they like big film directors to win this category occasionally. Not always though. “Succession” I think will be a stronger player next year, but if they want to honor it this year, this is the only major spot that makes sense. I wish it had at least an acting nomination though to be sure to go with it.
PREDICTION: “Game of Thrones”-“The Last of the Starks”-David Nutter
My preference aside, “Game of Thrones” is easily the toughest directing job of these shows, although “The Handmaid’s Tale” can play spoiler, but I’m not seeing it.
Well, not much to say here, six series, five of them nominated for Series, and “The Handmaid’s Tale”, which probably would’ve gotten in if it was eligible. This is where I suspect “Game of Thrones” is vulnerable, it’s trying to figure out what steals it from them that’s tricky. “The Handmaid’s Tale” would make sense here, in fact that episode might be the most nominated episode across all nominations. I’m tempted to also consider either “Killing Eve” or “Better Call Saul”; if it was a Phoebe Waller-Bridge nomination of “Killing Eve”, I’d lock it in right away, but they can honor her in Comedy. “Better Call Saul” is a perennial nominee here, I wouldn’t rule that out right away either.
PREDICTION/PREFERENCE: “The Handmaid’s Tale”-“Holly”-Bruce Miller and Kira Snyder
Playing a hunch, they can honor “Game…” elsewhere, but they might not be able to honor “Handmaid”’s elsewhere.
Well, somebody owns a CBS All Access account. Bradley Whitford is probably the spoiler here, although I can easily see Michael McKean, long overdue, taking this as well. Not sure why now, they decided to nominate him, but better they finally get that right I guess. Ron Cephas Jones is also someone who might be due, after he lost when he was a regular on his series originally. Kind of a weird year for the Guest categories in general.
This is where it makes the most sense for “This Is Us” to win something and while it’s tempting to look at McKean or Whitford here, Michael Angarano probably has the best episode.
So, on top of “The Handmaid’s Tale” things, “American Horror Story”, also ended up switching categories this year because of a technicality since apparently this is the season they have a continuation from a previous season? I-, I don’t know, I honestly have never cared for “AHS”, but fine, whatever, it’s in the Drama Series category this year, and why not, Limited Series looked crowded anyway. Jessica Lange is the past winner for the show, so you can’t quite overlook her either. Cicely Tyson is also back, and so is Laverne Cox, who I’m fairly certain they’re gonna keep nominating until she wins at this point. She’s probably still good; I gotta go back and catch up on “Orange…”-, my mother likes prison shows more than she should and it’s skews my opinion on them sometimes; I gotta go back and watch that show without undue outside influences. (Ugh! That reminds me, she wants my library to carry more “Oz” DVDs; I better ask about that next time I visit) Anyway, Phylicia Rashad is probably the most interesting name here. I have to double-check, but I don’t think she ever won for “The Cosby Show”, which sounds ridiculous when you say it out loud, at least to people who know their TV history and don’t think about anything else regarding Bill Cosby anymore, but I seem to remember that the show never did too well with acting wins. Nominations, yes, especially for a show with so many kid actors but wins though were few and far between, at least in my memory. Even if she has a win though, I can see Rashad winning, especially if that’s the case. I can also see Cicely Tyson winning, and I can see Cherry Jones winning too. I think those are the top three, but there’s an argument for each of these nominees. Lange is the only person that’s won for “AHS”, that can continue, Cox keeps getting nominated, that can continue, and then the “Game of Thrones” factor.
Rashad is good, but I think I’m at the point where I just want to see Laverne Cox finally win. I know it’s still popular, but it seems like it’s the last vestige of “Orange…”’s award importance and, you know, if she has been this good for this long on the series, than I’d just like to see her win it at this point. That said, I’m gonna go out on “The Handmaid’s Tale” limb here, she is “Holly” after all….
Same lineup as last year, and I think I’m finally just accepting that Jimmy Kimmel’s always gonna be in the category now. Frankly, I think James Corden’s nomination is the strange one now, especially with Seth Meyers out there who I think has been at the top of his game for the last couple years. Meyers gets into Writing so people are split and notice that, but I guess too many people just like that damn “Carpool Kareoke”. Anyway, I don’t think there’s too many surprises upcoming here.
Samantha Bee could spoil here, but “Last Week Tonight…” is definitely still the top.
I’m honestly a little surprised Sarah Silverman hung in here despite her show getting canceled. To be honest, as much as I do love her, I’m not big on “I Love You, America…”. That said, they did squeak this category to six this year with “Who is America?” being the “Portlandia” replacement, and you know, I am tempted to pick it here. “SNL” underperformed overall, so it’s vulnerable. “Documentary Now!” did make it into writing and directing and “Who is America?” and “Drunk History” got into directing. Normally I’d be looking for the series that got into both, but “Who is America?” might not be a great writing series since, like “Drunk History”, it’s more improvised. It was also big this year; I’m definitely tempted on this one. It’s the big question though, is it big and important enough to take out “SNL”?
PREDICTION: “Documentary Now”
I’ve changed my mind a couple times on this one; I’m leaning towards “Documentary Now” winning in its finale season, but don’t count out “Who is America?” either pulling off the upset.
At some point, I’m suspecting that they’ll create a Variety Special Stand-Up Category, but until then… Actually this is an interesting category, this year. The two stand-ups got into Writing, the other three got into Directing, however the only one that got into both was, “Carpool Kareoke”, which even with Sir Paul involved, I am so over this winning in this category; if for nothing else because they’re basically glorified clip shows for “The Late Late Show…” and that bothers me.
I can’t go against the Boss personally; I have too much family in Jersey.
Variety Special got split into categories now? Actually not really, they had a different name for this category before, I think it was “Special Class Program”, which nobody understood what the hell that was, so they clarified it this year, and there’s a few places where the Emmys did that actually. I’m okay it, since Live TV is becoming more and more prevalent in Primetime outside of the Award shows, although, yes, there’s four award shows. Let’s see, the Oscars sucked this year; the Tonys were fun, I love “RENT” to begin with. I’m actually kinda surprised the Norman Lear thing didn’t sneak into any of the acting categories; unless they changed that rule this year, I kinda had Marisa Tomei written in for Supporting Actress for a Miniseries or Movie, but I guess it was too loaded a category this year.
Maybe the Tonys could steal this too, but I’m leaning towards Normal Lear getting something. BTW, now that I’m thinking about him, shame on the Academy for never nominating “One Day At A Time” btw, and shame on Netflix for canceling it too.
Okay, normally Don Roy King is the easy write-in here, but we do have the strange “Who is America?” crew here to consider. I was never big into Nathan Fielder’s “Nathan For You” series; I watched an episode or two and I-, I honestly think he was more making fun of the people than trying to help them; I know that’s the joke but that kinda just annoyed me, there’s people seeking out help there and he’s just playing a joke on them and I just never found it funny even when it was objectionably good, and when it was bad I think it was unwatchable, but it is an interesting directing dynamic that’s more distinctive than everything else here. That’s something him and Sacha Baron Cohen have in common, so, I can see this upset happening.
PREDICTION: “Who Is America?-“Episode 102”-Sacha Baron Cohen, Nathan Fielder, Daniel Gray Longino and Dan Mazer
I forget if this is one of those years where this category is on the main show or the technical awards. It’s an interesting category though. Beyonce can become the first African-American woman to win this award. Her special did much better than I thought it would, so they might want to honor it some-, oh shit, James Burrows is nominated! Nevermind.
I guess Beyonce could win this, Glenn Weiss is always a threat too, but James Burrows is the greatest TV director of all-time and they haven’t had a real excuse to honor him in a while, and now he’s directing “All in the Family” and “The Jeffersons”? Yeah, I’m not betting against that.
John Mulaney and Seth Meyers are actually up against themselves here as Mulaney got listed as an “SNL” writer this year too. I can see a scenario where Samantha Bee takes this, but I’m weary of betting against the top here.
Yeah, as much as I love John Oliver and all these shows actually, Seth Meyers has been right up there with writing lately, and I’m still amazed that it didn’t break into Series this year. Of the everyday Variety-Talk Series, he’s the one I make it a point to watch.
Four stand-ups, and goddamn “Carpool Kareoke…”. Oh, and Beyonce snuck in here, somehow. Has she always gone with the hyphenated name since she married Jay-Z? Apparently, I just noticed that. Anyway, I’ve seen two of the stand-up performances so far, Wanda Sykes and Amy Schumer’s, both were great and definitely not surprised to see them nominated up here. I have to look up Hannah Gadsby though, ‘cause it is sometimes the name I don’t know in this category. It was the win here that introduced me and much of America to Eddie Izzard for instance. Also, Netflix sure took over HBO’s space for stand-up didn’t they?
She’s overdue for an Emmy win and this is a great spot for her, plus there’s sympathy since she was on “Roseanne”’s writing staff before all that mess happened. And frankly I think she deserves, that was the Stand-Up special of the year for me.
Okay, first thing is, the name change. It’s no longer “Reality-Competition”, it’s just Competition. I get why they did this, but I’m not big on this change. It’s actually a complaint I’ve had for awhile regarding Game Shows being mixed in with Reality-Competition shows; to me, there’s a very big difference between playing between a contestant on “Match Game” and being a competitor on “Survivor”, one is a physically reality-based sociological experiment for of a competitive documentary, and the other is just playing a simple game and hoping to win money and prizes and perhaps see Caroline Rhea trying way too hard to get her jokes in. Now, this mostly has applied to the Hosting category in recent years, but I thought the people who hosted game shows should just submit their name for Outstanding Game Show Host at the Daytime Emmys. And there’s precedent for that BTW, Regis Philbin actually won that category for hosting “Who Wants To Be A Millionaire?” when the show was on Primetime television. Now, there’s quite a few game shows on Primetime now and I guess this is the way they’re trying to put them into this category, it didn’t quite work though. The only major change from last year, and unfortunately it’s one I sorta predicted, and that’s “Project Runway” falling out, replaced by something called “Nailed It!” that admittedly looks pretty decent, so I think I’ll check that out soon. That said, I suspect when Tim & Heidi’s new Amazon show goes on next year, they might end up coming back replacing “Project Runway”, which- you know I still contend “Project Runway” is the Best Reality-Competition Program of all-time, and it is an embarrassment that it never won this award, ‘cause it absolutely should’ve won on several occasions, but I think I am okay with having it be left off here this time. I’m not even certain it got in under the wire anyway, but yeah, it might be time for it to move on by now. As to the other nominee, I do have to watch “RuPaul’s Drag Race” at some point; I gotta find a way to catch up on that, and-, this is me, but I’m sick of “American Ninja Warrior”. That was cute for a minute, but they’re not even doing anything, they’re just going through an obstacle course! It’s a hard and impressive obstacle course, but I don’t care how emotional the backstory to who’s doing it is, it’s just an obstacle course and frankly I kinda want that to go away now.
I think it’s a weak reality year, maybe “Nailed It!” could pull off the upset, but I’m gonna say RuPaul retains this year.
I like that “Somebody Feed Phil” snuck in here, that’s kinda funny. Um, how many side-series does “RuPaul’s Drag Race” have? Jesus! There’s a Short-Form Category where two other RuPaul shows got nominated. Am I the only know who remembers when she had her talk show on VH1? I don’t think it’ll win here. “Born This Way” won this category last year; it’s always a risk to bet against “Deadliest Catch”, eh, maybe “Life Below Zero” can sneak in here, but National Geographic doesn’t usually do great in these categories.
I don’t have many thoughts on this category this year.
I’m gonna have to look up “Tidying Up With Marie Kondo”; she shows up a few times here, so she could play spoiler. Other than that, “Queer Eye” got in this year; I do like that Reboot, I wish it wasn’t on Netflix though. I don’t think that shows works for binging and streaming personally. If it was on every week, I think I would prefer it more. And I wouldn’t be so upset with “Who Do You Think You Are?” showing up here if in the documentary category, “Finding Your Roots” would show up once or twice. I love both shows, I prefer “Finding Your Roots”, but…, eh, oh well. Also, are we not done with “Diners, Drive-Ins and Dives” yet? And why the hell aren’t we? I mean, okay, I do get it, but I think we can drop this next year, don’t you? I’ve spent a Friday or two watching a marathon too, but that doesn’t mean I want to be reminded that I do that.
I think “Shark Tank” is finally vulnerable this year. I do love the show, but I am getting a little tired of it. At least “Undercover Boss” finally fell out, but “Antiques Roadshow” has to win this at some point, right? I hope so. And-eh, maybe that Tidying Up thing can play spoiler.
Well, this just became easier for RuPaul to repeat! What the hell happened here? No, Alec Baldwin, no Jane Lynch, the only game show that snuck in is, “Ellen’s Game of Games”, which as much as I love Ellen, I’m starting to think that she just likes this way of convincing people to be tortured by her on TV. Has anybody seen Portia lately? Maybe somebody should check to make sure she hasn’t been tied up in their sex dungeon longer than she should’ve been. Oh, like they aren’t kinky that way, c’mon deep down, you know they are, right? (Ellen, Portia, I’m just joking, please don’t sue or hurt me. Although seriously Ellen, what is it with you with seeing people almost getting injured for a wrong answer?) Did anybody like “The World’s Best”, ‘cause I kinda just thought that was, just okay for Youtube clips but not much else? I am happy and shocked to see Amy Poehler and Nick Offerman here for “Making It”, which I did see and liked although I thought it was canceled a little too quickly to be remembered, but glad it showed up here. I don’t know if it can win, but it would be funny if Amy Poehler wins and she then has to share the award with another actor-, okay, seriously how does that keep happening with her! Are we just not letting Amy win on her own? (Sigh) Well, I’m cheering for them, if for nothing else, for Nick Offerman’s long overdue Emmy win.
It’s a RuPaul world, we just live in it.
I’m just going with a guess here. I do think “The Amazing Race” is incredibly well-edited and I’m in awe of their cameramen, they’re truly some of the great athletic freaks of our industry, but I don’t know how well, directed that makes them.
Competitive category this year. Arguably “Sharp Objects’ might be in fifth place and that was the presumed favorite for awhile, but it underperformed with nominations while “Chernobyl”, “Escape at Dannemora” and “When They See Us”, all overperformed. “Fosse/Verdon”, was about as expected, but this is a tough category this year. My only real observation is to guess by popularity which would probably be “Chernobyl” which also benefits from recency bias, but I can see a couple upsets here. The reason I always put these category last, of the major groups of categories anyway, is because it’s usually the genre I know the least about, so I’m spitballing a bit here and don’t have real strong preferences. Just going by instinct…
“Black Mirror’ is usually the wild card entry, but this didn’t seem to be too popular this year. The show only got two nominations and the other one was in the Interactive Program category. For some reason “Deadwood” of all things came back too, and it was pretty popular. I never really got the appeal of that show the first time around but I probably do need a new viewing, but the movie was popular and despite a couple snubs, it’s the easy favorite as the only movie that got more than two nominations.
Well, I guess it’s time for me to check out those “Deadwood” DVDs my library has.
“A Very English Scandal” I suspect was the sixth one out of the nominations, so normally that’d be where I’d look for an upset or two, but Mahershala Ali might be the exception. I was the one who didn’t love “True Detective”’s first season the way everybody else did, and after the second season flopped by everybody else, I basically dismissed the show entirely, but Mahershala Ali has a way of getting people people back to shows and it did okay returning to the Emmys prominence this year, much better than “A Very English Scandal” actually. This is a tough category though. Jared Harris is owed a win after not getting it for “Mad Men”, Sam Rockwell played Bob Fosse which is a fascinating combination of things Hollywood beloves. “When They See Us” overperformed, especially in acting and Jharrel Jerome’s a very good young actor who can be a spoiler here. This one’s tough.
PREDICTION: Sam Rockwell-“Fosse/Verdon”
Hulu is slowly finding creaks into the Limited Series categories but I think their two acting nominations for “The Act” are their awards .Patricia Arquette was a surprise Globe winner awhile back; frankly I’m just ecstatic that Regina King’s no longer in the category to play spoiler, although Niecy Nash could fill that role. She’s overdue. Amy Adams is long overdue for anything significant, so is Michelle Williams for that matter and she’s got a TV background to credit for history. I think it’s between Arquette and Nash and I’m gonna take a shot here and say that “When They See Us” might be stronger in other categories.
PREDICTION: Patricia Arquette-“Escape at Dannemora”
Yeah, this is where I suspect “When They See Us” can take an acting prize. Three nominations, all of them good and popular actors. I’m just gonna take a shot and go with the nominee that’s probably most due to the Academy members.
PREDICTION/PREFERENCE: Michael K. Williams-“When They See Us
Patricia Arquette’s got a better shot in the other category. After that, it’s another toss-up. This is probably where “Chernobyl” was it’s best shot at an acting win and Emily Watson’s been a bit overlooked lately. Patricia Clarkson does have an Emmy, but that was years ago for “Six Feet Under”. Vera Farmiga is also due after never winning for “Bates Motel”, which, she was really good in, even if the show was just batshit insane. The fact that she and her co-star got in for “When They See Us” leads me to think of them as the favorites.
I can also see Patricia Clarkson or Margaret Qualley playing spoiler here.
There’s a few big names here. Usually it’s the directors who take on the whole miniseries lately and are fairly big named directors and we have a few of them here. I think it’s a two-way race between Ben Stiller for “Escape at Dannemora” and Ava DuVernay for “When They See Us?” I suspect DuVernay’s the favorite though, they don’t usually give actors directing awards at the Emmys, even though Stiller’s has been directing about as long as he’s been acting, but I think “When They See Us” is still ahead. Stephen Frears might be an upset possibility, but I’m not seeing it. If they didn’t give the category to David Lynch last year, as popular as “Twin Peaks” was, then I’m not certain I can see Frears pulling it off. Maybe Johan Renick for “Chernobyl”. It “Chernobyl” can steal a win here or in writing, then I would imagine it’ll win Limited Series for sure.
PREDICTION/PREFERENCE: “When They See Us”-Ava DuVernay
Four episodes nominated against, one “Chernobyl”. Personally, I like the idea of Michael Tolkin getting the win here, he’s the guy who wrote “The Player” years ago so I’m a fan of his, but I think “Chernobyl” is out ahead. It’s not always a one-to-one ration of the more writing, or the more complete work winning, but I do think it reads more impressively.
Well, I know some “Bojack Horseman” fans are finally happy to see it get in here after getting admittedly, surprising snubbed for a good while. I imagine in this case, it wasn’t the show being on Netflix, but it finally getting repeated on Comedy Central that did the trick. That said, I generally have a difficult time getting through the series. I don’t know why exactly; I do like it, but I think I just have a hard time liking too many of the characters to get into it. I kinda have the same issue with “Veep”. I’ve also gotten around to watching a little “Adventure Time”, again, I can see why people like it, but I wasn’t overly enthused personally. I’m more of a “Steven Universe” guy. I’m going to have to catch “Big Mouth” at some point though, that one I’m not familiar with. Pretty decent list though, no real complaints, just minor critiques, and I do think “South Park” was a bit snubbed here; I thought they had a really strong season and I’m a bit surprised they fell off.
I will say that, at some point, they really have to not have single run animated programs mixed with long-running regular series; that generally pisses me off. Admittedly, there’s not always enough of those to separate into their own category, but I think it’s time for this to become an “Outstanding Animated Series” category.
I know people love the Short-Form Animation as much as they love the long-form these days, so I’m putting this category here, instead of the miscellaneous section. Not familiar at all with “Love, Death & Robots”, so that’s a bit of a mystery to me. Other than that, it’s the expected group. Just playing a hunch, but I think it’s a “Teen Titans Go!” year.
I’ve seen one episode of “Steven Universe” and I have to get around to watching the rest at some point, ‘cause I loved it, so I hope that keeps getting better as I suspect it will.
I believe Alex Borstein won this category last year when she went on the run that led to her also getting the Supporting Actress Comedy Series Emmy. She was overdue. This year, I wonder if they’ll go somewhere else. Azaria’s won the category before, so has McFarlane a few times; but I don’t know if anybody is familiar enough with “F Is For Family”. This category does have a tendency for somebody out of nowhere to pull a win here; Anne Hathaway guest starring on “The Simpsons” comes to mine. I might take a shot in the dark on this one.
What the hell, everybody loves “Sesame Street” and they love finding a reason to award it, even the Primetime Emmys do it a lot.
People who talk about how they don’t watch the Emmys because they never honor the shows they like; I find are often talking about these documentary series, which, yeah, they don’t make the main show, but they do honor them. That said, those people do have a point. A lot of these are great series that are extremely popular and often have just as big and important mark on the pop culture and world at large than the Sitcoms or Drama Series we give preference to. So, yeah, they should be honored here and mentioned, and for the most part, most of these are pretty good shows. I’m not big on the nature documentaries but other than that, these are shows that are really great and often really important to the zeitgeist.
PREDICTION: “Our Planet”
Wow!. Look at this. First off, with a move to Netflix, apparently “Comedians in Cars Getting Coffee” also had a genre change. I believe this marks the first time a series that had a nomination for Outstanding Variety-Talk Series switched to the “Informational Series Or Special” category. And no, before you ask, I’m not entirely certain why the five shows about are more or less informational than the five shows in the previous category. But, we have Seinfeld, going up against David Letterman! Then, we have a recent past winner with Leah Remini’s series, which I am utterly infatuated with btw. I never realized how much great television can be made from dissecting how truly awful Scientology is. Now, that, is up against, “Surviving R. Kelly”! I’m not through that whole thing yet, but yikes! That might be the biggest and most impactful show of the year arguably among any genre; I mean, he’s in jail right now, so, like, yeah…- And just when you think this category is easy, there’s the perennial past winner, and now with a sympathy vote, the late great Anthony Bourdain. I just actually read Bourdain’s “Medium Raw”, his audiobook of it in fact, we lost one of the great storytellers of our time with his suicide, and-, it’s just-. (Sigh) Anyway, I can any this vote going in any direction and I would not want to vote in this category this year. It’s loaded, and they’re all great shows. Whew!
PREDICTION: “Surviving R. Kelly”
And another loaded category. You have an Alex Gibney documentary, an Oscar-nominated documentary that was really good itself, you have Jane Fonda, you have Gildra Radner, and you have, Michael Jackson. And, apparently this FYRE party or whatever that flop was, was also a big deal, ‘cause there’s multiple docs about it, and multiple ones that earned Emmy nominations.
When all else fails, I’m gonna pick the biggest and most important one and I think the Michael Jackson one has had the biggest impact, and yeah, suddenly we hate Michael Jackson again now. (Well, the rest of the world; I honestly never stopped, because I do know more about this than I will let on, and yes,I’m 100% convinced he’s a pedophile and that these guys are telling the whole truth. Just putting that out there.)
Don’t ask me how this category gets separated from the others either. This is pretty much the category for films that are eligible for the Oscars, along with several of the other ones. (Sigh) I swear, the Academy and the Emmys have to get together and figure this out sooner rather than later.
When all else fails, go with the Best Picture nod. Little surprised that didn’t get into Song though, hmmm.
This isn’t exclusively a documentary category, although it entirely is this year for some reason except for “Queens of Mystery”, which I think is actually a drama series of some kind. I have a hard time keeping up with Acorn even though I want to. Anyway, I include it here since it’s often the primary genre it represents. Live Schreiber’s won this in the past and I wouldn’t entirely rule out anybody with the last name “Attenborough”, but this category can go anywhere.
Another loaded category. “Free Solo” won the Best Documentary Oscar and it showed up in quite a few technical awards although it strangely didn’t make either of the Documentary Films categories above, but I do think it’s strong here, and while I wasn’t big on it, I’m sure the directing branch will appreciate it if no one else will.
I’m just gonna take a shot and say that this is where they honor Anthony Bourdain here. Even in a tough field, they’re gonna want to give him something and writing is his best skill and gift.
It’s nice to see “Broad City” getting something I guess, way too late and still can only barely sneak into the Short-Form categories. I’m not certain why that series didn’t get in for it’s final season; I liked it a lot. I’m a little familiar with “An Emmy For Megan” which is a show about Megan, trying to win an Emmy. I think it worked last year. (Shrugs)
Well, I’m gonna have to figure out what the hell, “The Randy Rainbow Show” is now, this could be frightening. I do watch “Honest Trailers”, but I’ve never been as big on them as I suspect I’m supposed to be. They’re okay I guess, I think it’s still just me getting frustrated over people obsessed with trailer releases and discussions that holds me back on that. I’ve written two blogs about how stupid a practice that it, and it never seems to work; people still obsess and care about trailers. I guess that means I should appreciate the joke and humor of it, but I don’t know, I feel like it’s feeding the beast when it should be trying to starve it to death. And I’ll be honest, I don’t really care for “Billy On The Street” that much either. It’s interesting that that fell into the Short-Form Variety Series category after getting a main series nod a couple years back, but I don’t. know. Maybe I’m just being misanthropic lately; I seem to be not liking a lot of things all over this thing. (Sigh) Yeah, I think “Game of Thrones’ push will actually push “Gay Of Thrones’ over here. They’ve definitely promoted that as much as HBO promoted “Game…”.
PREDICTION: “Pose: Identity, Family, Community (Inside Look)”
I’m gonna have to look up “State of the Union”, that seemed to overperform in the Short categories. I just realized that this is the only nomination Jimmy Fallon got, him or his show. Man, did he fall out of favor quickly. That’s a shame, ‘cause he is incredibly talented but I really can’t blame them. His show has just not been that good lately and you know, he can really use a “What The Hell Were You Thinking?!” moment. That said, he is playing Beto O’Rourke, he might break though here.
I also wouldn’t look past Patton Oswalt getting another surprise Emmy here, just on him being himself and being beloved.
Well, just based on the vote splitting odds, I guess Rosamund Pike would be the favorite here. I do like her a like and hope she would win something; I think she gets overlooked at times. They seem to like “State of The Union” too, although I can’t hide my alliance here; I really hope one of the “Broad City” girls finally wins something.
PREDICTION: Rosamund Pike-“State Of The Union”
You know I usually included the Interactive categories anyway, in my miscellaneous category just because I figure some people probably looked into them, but this year, the category really blew up and now it’s just huge. Too huge for me to not section it off. Basically interactive is what it sounds like, it’s the shows or programs, usually over/on the internet where you’re connecting with the program, you the audience. What happened here was that, the Emmys usually focus on, well, other TV shows and their interactive side projects, which you get quite a few of here, but not much else, some they expanded to multiple categories. I’ll get to the others below, let’s take a look at this one. Five Late Night guys, nice to see “Conan” getting something. He’s really gotten the shaft lately, but I get the feeling that he’s doing more of what he wants to do though, so I guess I’m ultimately happy for him. This would be where they’d honor him, but I’m not sure it’s a easy call here.
I think either James Corden or John Oliver could also win here, but I’m going with the one that’s outside the bunch.
So these are Interactive Programs that are, specifically just interactive original programs and not things that are connected in some way to something else. I’d just be taking guesses here. I think I’m just going to guess which one’s the most popular.
PREDICTION: “You Vs. Wild”
See, this is how distinctive we’re getting, we’ve now got a category for Interactive Media, within a scripted program, and one for Interactive in an Unscripted Program below as well. Obviously, these are a little more difficult to do, once something’s scripted, it’s hard to find an Interactive avenue, interactive is far easier with unscripted material, so these are in their ways impressive.
PREDICTION: “Game Of Thrones”-“Fight For The Living: Beyond The Wall Virtual Reality Experience”
Kind of a tough category here. My mind tells me that they’re just giving it to “Carpool Karaoke” no matter what, but eh, I can see “Free Solo” stealing this. Now, I wasn’t particularly big on the film, but I can definitely imagine an interactive approach to it being something that the Academy members who do like it, appreciating.
PREDICTION: “Free Solo”-“360”
I’m not sure why “Carmen Sandiego” is considered a quote-unquote “Children’s Program”, unless of course they mean, children of all ages. I mean, what adult doesn’t love shows about world famous criminal masterminds whose crimes also happened to get us to learn about world geography; I mean, that’s not a kid’s thing. That’s everybody who loves that! But-eh, I have a feeling that “Sesame Street” is a little hard to beat here. I wouldn’t be too surprised if “Song of Parkland” pulled an upset too though.
Yeah, “Carmen Sandiego” got screwed, that should’ve gotten a lot more nomination. It’s a crime show, about GEOGRAPHY! DETECTIVE MYSTERY and GEOGRAPHY lessons! How is this not, the greatest thing ever?! (Sigh)
It would be funny if Netflix won for a commercial before it won either Drama or Comedy Series, wouldn’t it. I mean, the streaming channel with no commercial, winning for a commercial, wouldn’t that be something?
PREDICTION: Netflix-"A Great Day in Hollywood"
Honestly, I watched all the nominees, there's some good commercials here; I hope it's between Netflix and Nike, but I really hope that Sandy Hook one doesn't win though. It's possible, but it's disturbing and a little too manipulative if you ask me, but it might be the one everyone sees as the most important? I hope not though.
This is always a fun category. Little confused as to why “Game of Thrones” is on here; I guess they had a slightly different opening for it’s finale season. I’ll double check these before I make a true prediction. There’s usually a random surprise winner here though. Although, I do remember “Stranger Things” winning it recently, which kinda shocked me. Nostalgia-wise, I guess it was a cool title, but I thought there were more inventive and tougher opening titles than that one. That show hasn’t popped up anywhere; I’m guessing it wasn’t eligible, but I’m not missing it to be honest. I’ve never really thought much of that series and was genuinely shocked it got major nominations last year.
PREDICTION: "True Detective"
I looked at the nominees in this category too, honestly, I wasn't overly impressed, and I'm really noticing how similar every show's opening credits are now. I want somebody to do something a little more interesting in the future, perhaps with the actors in the opening, just living their lives for instance. I hope more are inspired by say, the old "Get Smart" opening in the future than some of these recent HBO drama series openings.
Again, I will go through these before making a prediction, but there’s some interesting ones here. “Flight of the Conchords” was beloved by the Academy, they can easily win this. I’ve love to see Sara Bareilles win personally, and I do remember liking that song from the Tonys. That said, I am a late, late, late-comer to “Crazy Ex-Girlfriend”. I’m not in love with it yet, myself, but I do appreciate it, and one of the big things that got me to give it a fair shot were the song nominations it kept getting every year. I look up other Rachel Bloom stuff, before and after the show, and yeah, I definitely get her now. That “Fuck Me Ray Bradbury” song was what really did it; that song is this generation’s “I Made Fool of Myself Over John Foster Dulles”.
PREDICTION: "Antidepressants Are So Not a Big Deal"-Crazy Ex-Girlfriend"
PREFERENCE: "Father and Son"- "Flight of the Conchords: Live in London"
I'm not entirely sure how this one's gonna play out honestly. I've heard all the songs, my guess is that, it's between "Crazy Ex-Girlfriend", "Flight of the Conchords" and "SNL", but I could see this going anyway. Nothing was bad, but I can't say anything really blew me away . Even the Tonys number, I ultimately found forgettable, and I'm a huge Sara Bareilles fan, but for the Tonys, it was understated. Tough category this year.
Again, I’ll look over these. I guess “Crazy Ex-Girlfriend” changed their theme too. I’m not sure I’m big on shows changing theme songs for their last seasons honestly, but once I hear it, I’ll probably like it. There some good composers in this category though.
PREFERENCE: "Crazy Ex-Girlfriend"
I listed to them now, and how did some of these end up in the Main Title Design? "Good Omens",
"Our Planet" and "Castle Rock" were way better openings and songs than many of the Mait Title Design nominees. Music wise, I didn't like "Our Planet" but I liked everything else. I'm barely preferring "Crazy Ex-Girlfriend" over "Good Omens", but the others were quite good and compelling too.
I didn’t know T-Bone Burnett did “True Detective”. Hmm. How close is he to the EGOT? I’ll have to check, I know he’s got a Grammy and Oscar. Hmm….
If Steven Price doesn’t win for the opening theme, this could be a spot to honor him. Poor Miriam Cutler though is up against herself. I imagine she’s probably got a better shot at “RBG”, but I don’t know. I did like “Love, Gilda” personally. CNN really has decided to compete in documentary categories all over in recent years, haven’t they?
This is actually interesting, a totally new Music category; Music Direction. I’m a little shocked this didn’t exist before, but I guess it makes sense; there’s kind of a limited amount of programs that even have music directions in the past. This isn’t composing necessarily, this is more organizing and preparation of music, the putting together of the music, although there is often a live factor involved. Rickey Minor for instance, is up for both “The Oscars” and that Grammys Honoring Aretha thing, and normally when you think of a musical director, you usually think of live heads of orchestras at Award shows, or Late Night musical directors who are often just the heads of the house band. Doc Severinson, Paul Shaffer, Kevin Eubanks, Max Weinberg, etc. etc. G.E. Smith, and of course, now Lenny Pickett, who’s up for “SNL”, but there’s a couple others that snuck in that are interesting. Beyonce wiggled her way into this, and “Fosse/Verdon”, that’s obviously a production where the music is important, since it’s about Broadway musicals. I could see this being a fun category in the future.
Alright, there we go. The Primetime Emmy nominations analysis, and very early predictions. Well, for some of these; the Creative Arts are tomorrow, so they might be outdated by then. But, I'm looking forward to the main show anyway. Who's hosting this year anyway?
Oh Goddammit! Not another fucking awards show with a HOST!?!?!?! And, it's on Fox this year!? SONOFABITCH!!!!!!
Well, maybe it's better this year that I'm not keeping the closest eye on them.