Director: Stanley Kubrick
Screenplay: Stanley Kubrick, Terry Southern & Terry George based on the novel Red Alert aka Two Hours Until Doom by Terry George)
Look up “satire” in the dictionary and I wouldn’t be
surprised if you saw a picture of Peter Sellers as the title character rolling
from his wheelchair in the infamous war room from Stanley Kubrick’s great film,
“Dr. Strangelove…”. (Or better yet, the shot of him getting up from the
wheelchair) We do however, need a brief history lesson before going any
further.
During the ‘50s and to some degree lasting all the way up until the
1980s, the U.S. and Russia were in a Cold War, and one of the things they
happened to fight over was who could make the bigger weapon of mass
destruction. This was also the time of McCarthyism, and the Domino Theory that
Communists were eventually going to infiltrate America, and this was two years
past the Cuban Missile Crises and apparently do such horrendous things as…
Well, if I go on about this too much, I’ll start writing my own comedy film., but, when Gen. Jack D. Ripper (Sterling Hayden, coming out of retirement for
the role) talks about his belief that Communists were trying to put fluoride
into our drinking water, although this plays for comedy now, this was actually
at one point a very popular belief. (I wrote a paper on fluoride once, so I
know).
This is why the diluted Gen. Ripper sends over planes with
nuclear weapons to bomb Russia. With the renegade on the loose the President
(Oscar-nominated Sellers, in one of his three roles) is called to action to
figure out what to do, and consults his advisors in the war room. One of the
advisors, Gen. Buck Turgidson,(George C. Scott) is exceptionally entertaining
as he continually concludes that the best thing to do is for them to do is for
the planes to continue on their mission. Meanwhile, up in the plane, they have
absolutely no knowledge of what’s going on down below, and are continuing to go
forward with the attack piloted by Maj. T.J. Kong. Kong was supposed to be
Sellers 4th role in the film, but wasn’t sure about a Texan accent,
so Kubrick hired Westerns veteran Slim Pickens to play the part. (I don’t
believe the myth that Kubrick didn’t tell Slim that the film was a
comedy.)
Kubrick, who I’ve studied more than most directors, was an
extreme perfectionist in his work. (Pick any of his films, I can point out all
the exactness in the details.) This film however, he cheerily has let some of
his actors go at it on their own, and kept a few blunders into the film,
including a famous one where George C. Scott fell down unplanned, but stayed in
character well enough that is played as funny. The great scene with Slim
Pickens riding a nuclear bomb to the ground is the greatest display of phallic
humor ever conceived. It’s weird for Kubrick to have done such a straight
comedy, in fact, he originally intended to make a serious film about nuclear
annihilation, but inevitably, as the script was being conceived, they just kept
laughing and making jokes, and finally they just started putting the jokes in.
In fact, with the film opening before Sidney Lumet’s cold war thriller “Fail-Safe”,
it actually ruined the effect of that film, which is also a classic, but didn’t
catch on with audiences after essentially the parody was released first and was
so outstanding, it made “Fail-Safe” seem melodramatic by comparison.
The infamous original ending of the War Room dissipating into
a literal pie fight, not withstanding, watching the film now, reveals eerie
parallels to some recent modern events, and some major political figures of
today can easily be compared to some of the characters in “Dr. Strangelove…”
(Tell me you can watch Capt. Turgidson and not think a little bit of Donald
Rumsfeld) That said, there’s always been a little bit of absurdity in war, but let’s
not debate such a classic farce, and just enjoy the pure humor of it. I believe
I may have already exceeded my authority anyway.
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